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For Haruyo-san
-Messages from the Guide-
There is someone looking at her reflection in the mirror.
She appears to be in a field filled with marguerite daisies.
She recognizes herself in the mirror with a sense of tenderness.
Looking more closely at the messages from the Guide, it seems that it’s not a mirror she is looking at, but a water tank.
She noticed someone in the tank, who looked just like her and was shedding tears.
Who is this in the tank? Why is she crying?
When she found the answer, “………”, beautiful bubbles began to soar up into the sky.
An English phrase to accompany the artwork posted on social media is:
“I’m really happy to notice the reason for the tears.”
-Production process-
I painted this piece for Haruyo-san with a tranquil feeling, as if I were down in the water.
As I continued drawing, I started to feel “sorry”.
I was curious as to why, so I looked into it and found that “sorry” happened to be one of the languages of marguerite daisies.
Within the messages from the Guide, there was a line that said “………”
The Guide did not tell me the answer to this part.
Haruyo-san will probably be able to come up with an answer to this question.
The model portrayed in the artwork tends to show a better understanding of the context of the work.
From the fact that it took a while for the bubbles to rise up into the sky, I think the Guide may want you to think long and hard about the answer.
Now that the painting is finished, I feel very refreshed.
For T-san
-Messages from the Guide-
There seem to be multiple spaces.
There are entrances and exits in various directions, and you can come and go through the stairs and passageways.
The direction of gravity also varies.
You may go back to a room and find yourself standing in a completely different direction.
The wind fairies are there to guide you and make sure you don’t get lost or get gravity sickness.
An English phrase to accompany the artwork posted on social media is:
“Feel the multidimensional world in the 3D world.”
-Production process-
As I received messages from the Guide for T-san’s piece, I froze for a while, not knowing how to express them.
The Guide gave me a hint and told me to think about “Escher”.
Then, it all became clear to me and I was able to complete this work immediately.
As I was drawing, I felt various ideas in fragments.
– I felt ‘flow’ and an ‘infinite cycle’.
– I felt things that could not be expressed in three dimensions. Something conveyed beyond space or resonating across time and space…
– I felt a sense of generality rather than individuality.
– I felt something like, “follow the rules…”
Sorry, this may sound random but I’ve listed all sorts of things that I felt in fragments.
Oftentimes, the model tends to understand the context of the work better so I wonder how T-san felt about this piece.
For Maki-san
-Messages from the Guide-
I saw a coniferous forest with people above the trees.
Could they be couples?
Looking further into the Guide’s message, the coniferous forest is divided into multiple layers of floors.
Each floor seems to have its own drama with fairies watching over them.
An English phrase to accompany the artwork posted on social media is:
“Life is an assortment of biscuits.”
-Production process-
When I looked at Maki-san’s horoscope, the key phrases “fantastic worldview” and “forced change of direction in life” came down to me.
Since these two phrases have completely different meanings, I was excited to see what sort of image would come out of them.
I connected further with the Guide and finally completed this piece.
I am curious to know what Maki-san would catch from this work, since the model often understands the context better than I do.
When I was having trouble coming up with an English phrase, the Guide gave me a hint: “Norwegian Wood (novel)”.
I borrowed a line from a character who says, “Life is an assortment of biscuits.”